Hẹn Hò Giấu Mặt Blind Date (2017)

Clovis Cornillac's Blind Date (Un peu, beaucoup, aveuglément) stands out as a delightful anomaly within the French romantic comedy genre, transcending typical genre conventions with its ingenious premise. Rather than a conventional meet-cute, the film explores genuine connection forged in isolation, as two neighbours, a reclusive inventor and a passionate pianist, must coexist without ever seeing each other. Cornillac, in his directorial debut, masterfully utilizes immersive sound design as a central character, building an aural landscape that dictates the characters' interactions and emotional resonance.

The cinematic techniques employed are subtle yet impactful, from the judicious use of camera angles hinting at proximity to the meticulous amplification of everyday sounds, transforming their shared wall into a dynamic stage for evolving intimacy. The performances by Cornillac himself and Mélanie Bernier are the film's pulsating heart. Their on-screen chemistry is palpable, navigating the delicate balance between awkwardness and burgeoning affection with compelling authenticity. Bernier brings vibrant stubbornness and artistic fervor, while Cornillac embodies a charmingly eccentric vulnerability. The film cleverly critiques superficial judgments, championing the idea that true understanding transcends physical appearances. It's a poignant exploration of solitude and the universal longing for profound connection, solidifying its place as a refreshingly innovative entry in contemporary French cinema.