Black As Night Black As Night (2021)

'Black As Night', director Maritte Lee Go's contribution to the Welcome to the Blumhouse anthology, is a nuanced urban horror piece that deftly sidesteps conventional vampire tropes. The film eschews simplistic plot exposition, instead weaving a rich tapestry of deep-seated desires for recognition and a potent critique of social injustice. Set against the atmospheric backdrop of New Orleans' French Quarter, the narrative ingeniously employs vampirism not merely as a supernatural threat but as a sharp metaphor for the insidious forces of degradation and gentrification encroaching upon Black communities.

Todd A. Dos Reis's cinematography, while not revolutionary, effectively builds a somber atmosphere, mirroring protagonist Shawna's complex inner world, brought to life compellingly by Asjha Cooper. Cooper's performance anchors the film, delivering a nuanced portrayal of teenage vulnerability, burgeoning resolve, and a challenging journey toward self-acceptance. Keith David, even in a supporting role, lends his formidable gravitas, grounding the narrative. The film successfully crafts a horror story that isn't just about scares but provokes thought, raising pertinent questions about power dynamics, identity, and community resilience, solidifying its place as a thoughtful entry in contemporary social horror cinema.